In case the scope of that mission wasn’t sufficient, the crew wasn’t simply capturing one Avatar sequel however two entire films and the primary act of the fourth one. It was an epic enterprise, however combining the shoot throughout almost three movies additionally had its benefits.
“It’s like making one lengthy miniseries, and there are nice manufacturing benefits to doing it that approach,” says Landau. “If we have now a scene that takes place in John’s workplace in films two, three, and 4, we will go pre-light John’s workplace as soon as, shoot it as soon as and strike out of it as soon as. If we did it as three films, we’d pre-light it thrice.”
Extra Than Pores and skin Deep
Avatar made an enormous splash in 2009 with the extent of know-how it used for movement seize and filming in 3D. The Method of Water constructed on that—most noticeably in its pioneering underwater movement seize strategies, however as Landau factors out, the actors’ performances had been on the heart of every little thing.
“It begins with the closeup. If you happen to don’t discover the characters compelling, it doesn’t matter what know-how you throw at them,” Landau insists. “So we mentioned, let’s make the constancy of our performances even higher than they had been within the first film.”
As an alternative of recording actors’ faces with one high-definition digital camera, they might use two. Then, utilizing applied sciences like deep studying, results agency Wētā FX delved deeper into understanding what the actors had been doing.
“They don’t drive a efficiency from the pores and skin on the skin,” Landau says. “They drive a efficiency from the muscle tissue on the within.”